UNTITLED ART GALLERY

Shadow Line, 1968 by Kenneth Noland Shadow Line, 1968; Serigraph on canvas laid on board; Signed, dated, and numbered 7/150 verso; Published by Dokumenta IV, Kassel, Germany; Size - 16 3/4 x 47 1/4", Frame 19 x 49 1/2"; Framed using a natural wood frame and floated on a linen mat. “I wanted color to be the origin of painting … I was trying to neutralize the layout, the shape, the composition … I wanted to make color the generating force.” - Kenneth Noland Kenneth Noland (1924

Inward and Outward Bound, 1973 by Kenneth Noland Inward and Outward Bound, 1973; Acrylic on canvas; signed and dated 'Kenneth Noland 1973' verso; Mounted to a wooden stretcher; Pictured on pg. 75 of the book "Kenneth Noland" by Kenworth Moffett, 1977; Size - Canvas: 102 1/8 x 164"; Unframed. “The plaid paintings kind of came out of when I’d been making horizontal stripe pictures … I was worried … in the horizontal pictures the stripes were horizontal … it’s probably the most

Eric Emerson (Chelsea Girls), 1982 by Andy Warhol Eric Emerson (Chelsea Girls), 1982; Screenprint in colors on Somerset Satin White Paper; Numbered 69/75 and signed Andy Warhol in pencil lower right; Published by Anthology Film Archives, New York; Printed by Porter-Wiener Studio, New York; Size - Sheet 30" x 22"; Frame 39 1/2 x 31 1/2"; Catalog Raisonne: Feldman/Schellmann: II.287; Framed with a white acid free mat, wood exterior frame, and UV plexiglass. Eric Emerson was an

(Untitled) Dentures, 1984 by Andy Warhol (Untitled) Dentures, 1984; Synthetic polymer paint on paper; Signed Andy Warhol and dated 84 in pencil lower right; Stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. and numbered VF TOP 91.0004 on verso; Size - Paper: 30 1/2 x 40 1/2", Frame 35 1/2 x 46"; Framed floated on a white mat, black wood exterior frame, and plexiglass. “Am I really doing anything new? … In transliterating newspaper