UNTITLED ART GALLERY

Original hand painted and hand inked production animation cels of Snow White, Bashful, & Sneezy from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Set on their key master production background with production notes verso; Size - Snow White & Bashful: 6 3/4 x 7 1/2", Sneezy: 4 3/4 x 1 3/4", Background 9 1/2 x 16 1/2", Image 9 1/4 x 16 1/4", Unframed. “Lips red as the rose. Hair black as ebony. Skin white as snow.” ―The Magic Mirror describing Snow White Develop

Original hand painted and hand inked production animation cels of Snow White and Dopey from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Set on a hand-painted background; Size - Snow White & Dopey: 7 x 5", Image 8 x 6 1/2"; Unframed. “Lips red as the rose. Hair black as ebony. Skin white as snow.” ―The Magic Mirror describing Snow White Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times

Original hand painted and hand inked production animation cel of Snow White from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Numbered 61 in ink lower right; Set on a lithographic background; Size - Snow White: 5 1/2 x 3 1/2", Image 8 x 11 1/2"; Unframed. “Lips red as the rose. Hair black as ebony. Skin white as snow.” ―The Magic Mirror describing Snow White Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced

Original hand painted and hand inked production animation cel of Sneezy set on an airbrushed wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Partial Courvoisier label verso; Size - Sneezy: 3 3/4 x 4", Image 7 1/2 x 7 1/2"; Unframed. Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney

Original hand painted and hand inked production animation cel of Doc set on an airbrushed wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Partial Courvoisier label verso; Size - Doc: 3 x 3 3/4", Image 5 1/2 x 5 1/4", Mat 14 x 12"; Single matted. Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released unde

Original hand painted and hand inked production animation cel of Grumpy set on an airbrushed wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Partial Courvoisier label verso; Size - Grumpy: 4 1/2 x 3 1/2", Image 7 1/2 x 5 1/2"; Unframed. "I'd like to see anybody make me wash, if I didn't wanna. Ahem." - Grumpy Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New Y

Original hand painted and hand inked production animation cels of Snow White and Two Birds from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Set on an airbrushed Courvoisier background; Partial Courvoisier label verso; Size - Snow White: 7 3/4 x 2 3/4", Image 10 1/2 x 6 1/2", Mat 18 1/2 x 14"; Matted in the original Courvoisier calligraphy titled and embossed ©WDE mat. “Lips red as the rose. Hair black as ebony. Skin white as snow.” ―The Magic Mirror describi

Original production animation drawing of Snow White from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Red, blue, and graphite pencils on peg hole paper; Production numbers lower right; Color model stamp lower sheet edge; Size - Snow White: 6 x 6 1/4", Sheet 10 x 12"; Unframed. “Lips red as the rose. Hair black as ebony. Skin white as snow.” ―The Magic Mirror describing Snow White Development on Snow White and the Seven Dwarfs began in early 1934, and by June

Original production drawing in red, blue, green, and graphite pencils of the Old Hag (The Witch) from "Snow White and the Seven Dwarfs," 1937; Numbered 1413B lower right; On watermarked five peg hole paper and stamped with production numbers lower left; Size - Old Hag 5 x 7 1/2", Sheet: 10 x 12"; Unframed. The famed animator Joe Grant created the initial sketches of the Witch, which had some basis in the early Witch drawings from Arthur Rackham's illustrations from "Hansel an

Original hand painted and hand inked production animation cel of Sleepy with a cymbal and fish flute set over an airbrushed Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Size - Sleepy: 4 1/2 x 5 1/2", Image 5 1/4 x 6", Frame 11 1/2 x 12"; Framed with a gold wood frame, two acid free mats, and plexiglass. Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the pr

Original production animation drawing of The Prince from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Red, green, and graphite pencils on peg hole paper; Numbered 18 in pencil lower right; Size - The Prince and Shadow: 8 1/2 x 7 1/2", Sheet 12 1/2 x 15 1/2"; Unframed. Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney

Original hand painted and hand inked production animation cel of Dopey with drumsticks set over an airbrushed wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; With collaged drum; Size - Dopey & Drum: 5 1/2 x 5 3/4", Image 6 1/2 x 7", Frame 17 3/4 x 18"; Framed with a gold wood frame, two linen mats, gold wood fillet, and plexiglass. Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney