UNTITLED ART GALLERY

La Primavera (Spring), 1988; Etching and aquatint in colors on Fabriano paper; signed in pencil and numbered VII/X; Blindstamps of the publisher/printer, 2RC Edizioni d'Arte/Vigna Antoniniana Stamperia d'Arte, Rome; Size - 46 x 95", Frame 57 x 106"; Catalog Raisonne: Lembark I.98, SFE-070RC; Framed with a white high gloss wood frame, linen liner and UV plexiglass. "I prefer to think of colours in relationships to each other, rather than just one colour at a time." - Sam Fran

Los Alamitos, from Race Track Series, 1972; Screenprint on Gemini Rag Board; Numbered 12/75, signed Frank Stella and dated 72 in pencil lower right; Published by Gemini G.E.L., Los Angeles, with their blindstamp and inkstamp verso; Catalog Raisonne: Axsom 74, Gemini 378; Size - Image 15 x 75 1/4", Sheet 20 1/4 x 80", Frame 20 1/2 x 80 1/2"; Framed floated with a silver metal exterior frame and plexiglass. "I always get into arguments with people who want to retain the old val

Red Open with White Line, 1979; Etching and aquatint in red and black, on Georges Duchêne Hawthorne of Larroque handmade paper; Initialed in ink, numbered 46/56 lower left; Published by the artist, with his blindstamp lower right; Catalogue Raisonne: Belknap 207; Size - Sheet: 18 x 35 1/2", Frame 27 x 46"; Framed floated with an acid free mat, wood frame, and plexiglass; Exhibited: Williams College Museum of Art, Williamstown, MA - Museum of Fine Arts, Boston MA, May 5 - Oct

Untitled, 1966; Serigraph on wove paper, From the edition of 250 (of which only the first 20 were signed), Numbered 15/250 and signed Ad Reinhardt in pencil lower left; Published by Wadsworth Atheneum, Hartford, Connecticut; Framed floated on an acid free mat, black wood frame, and UV Museum Perfect glass; Size - Sheet: 22 x 17", Frame: 27 1/4 x 22 1/4"; *Note: This is a rare print and one of a very few that is numbered & signed by Ad Reinhardt. "Art is art-as-art. Everything