UNTITLED ART GALLERY

Shadow Line, 1968 by Kenneth Noland Shadow Line, 1968; Serigraph on canvas laid on board; Signed, dated, and numbered 7/150 verso; Published by Dokumenta IV, Kassel, Germany; Size - 16 3/4 x 47 1/4", Frame 19 x 49 1/2"; Framed using a natural wood frame and floated on a linen mat. “I wanted color to be the origin of painting … I was trying to neutralize the layout, the shape, the composition … I wanted to make color the generating force.” - Kenneth Noland Kenneth Noland (1924

Inward and Outward Bound, 1973 by Kenneth Noland Inward and Outward Bound, 1973; Acrylic on canvas; signed and dated 'Kenneth Noland 1973' verso; Mounted to a wooden stretcher; Pictured on pg. 75 of the book "Kenneth Noland" by Kenworth Moffett, 1977; Size - Canvas: 102 1/8 x 164"; Unframed. “The plaid paintings kind of came out of when I’d been making horizontal stripe pictures … I was worried … in the horizontal pictures the stripes were horizontal … it’s probably the most

(Untitled) Dentures, 1984 by Andy Warhol (Untitled) Dentures, 1984; Synthetic polymer paint on paper; Signed Andy Warhol and dated 84 in pencil lower right; Stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. and numbered VF TOP 91.0004 on verso; Size - Paper: 30 1/2 x 40 1/2", Frame 35 1/2 x 46"; Framed floated on a white mat, black wood exterior frame, and plexiglass. “Am I really doing anything new? … In transliterating newspaper

Etude de fruits et de feuilles de néflier (Study of medlar fruits and leaves), 1944 by Henri Matisse Etude de fruits et de feuilles de néflier (Study of medlar fruits and leaves), 1944; Black Conté crayon on paper; Signed and dated 'H Matisse 44' lower right; With original Certificate of authenticity from Archives Matisse; Size - 16 1/2 x 12 1/2", Frame 28 x 23 1/2"; Framed with a black wood frame, floated and matted with acid free white mats, black wood fillet, and UV conser

I-S LXXb (Homage to the Square), 1970; Serigraph on German etching paper; Titled and numbered 56/125 in pencil lower left; Signed and...

La Primavera (Spring), 1988; Etching and aquatint in colors on Fabriano paper; signed in pencil and numbered VII/X; Blindstamps of the...

Joseph (From Men in the Cities), 2000; Lithograph on Arches Cover Paper; Signed and dated in pencil lower right, Numbered 36/50 in pencil...

Los Alamitos, from Race Track Series, 1972; Screenprint on Gemini Rag Board; Numbered 12/75, signed Frank Stella and dated 72 in pencil...

Blue/Black/Red/Green, 2001 by Ellsworth Kelly Blue/Black/Red/Green, 2001; Lithograph on Lanaquarelle 640 gram paper; Numbered 26/45 and signed Kelly in pencil lower right; Published by Gemini G.E.L., Los Angeles; Publisher's blind stamp lower right; Catalog Raisonne: Axsom 293; Size - Sheet 25 x 88 3/4", Frame 29 x 93"; Framed with a white wood frame floated on an acid free white mat, and plexiglass. "I have worked to free shape from its ground, and then to work the shape so

Cunningham Relief, 1974; Embossing with hand rubbed half-tone on Arches Buff paper; Signed Rauschenberg, numbered 9/100, and dated 74...

Caned Dance, 1974; Lithograph on Arches paper; Signed B Nauman, numbered 9/100, and dated 74 lower right; Co-published by Multiples Inc....