UNTITLED ART GALLERY

Diamond Dust Candy Box, 1981; Synthetic polymer paint, diamond dust, and silkscreen ink on canvas; Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts stamps; Numbered VF PA13.005 on the overlap; Numbered twice 'PA13.005' on the overlap; Size - Canvas: 14 x 10", Frame 15 1/4 x 11 1/4"; Framed using a silver metal frame and plexiglass. "You take some chocolate... and you take two pieces of bread... and you put the candy in the middle and y

Self-Defense (Positive), circa 1985-1986; Acrylic and silkscreen ink on canvas; Stamped three times with the Estate of Andy Warhol stamp; Stamped twice with the Andy Warhol Foundation for the Visual Arts stamp; Numbered twice 'PA10.432 VF' on the overlap; Numbered 'PA10.432 VF' on the stretcher; Size - Canvas: 20 x 16", Frame 22 x 18"; Framed using a black wood frame and plexiglass. "My fascination with letting images repeat and repeat - or in film's case 'run on' - manifests

Be A Somebody With A Body, 1985; Acrylic and silkscreen ink on canvas; Dedicated, dated, and signed 'JOHN 85 Andy Warhol' verso on the overlap; Stamped with the Andy Warhol Art Authentication Board, Inc., stamp and numbered 'A122.0911' on the overlap; Size - Canvas: 8" x 10", Frame 14 3/4" x 18 3/4"; Framed using a black wood frame. "Muscles are great. Everybody should have at least one they can show off." - Andy Warhol In the 1970's Andy Warhol was aware of new trend emergin

Torso (Double), circa 1982; Screenprint in colors on Saunders Waterford (Hot Pressed) paper; Andy Warhol Art Authentication Board Inc. stamp, The Estate of Andy Warhol stamp, and inscribed with unique authentication number in pencil on the reverse; Printer: Rupert Jasen Smith, NY; Size - Sheet 30 1/2" x 43"; Catalog Raisonne: Feldman/Schellmann: IIIA.35 [c]; Unframed. "We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions

Caucus, 1997; Lithograph on Arches paper; Signed Rauschenberg, numbered LXI/XC, and dated '97 lower center; Published by Noblet Serigraphie, Inc., New York; Size - Sheet 37 x 27"; Unframed. "Understanding is a form of blindness. Good art, I think, can never be understood." - Robert Rauschenberg Milton Ernest "Robert" Rauschenberg (1925-2008) was an American painter and graphic artist whose early works foreshadowed the emerging Pop Art movement. He is most associated with his

Cunningham Relief, 1974; Embossing with hand rubbed half-tone on Arches Buff paper; Signed Rauschenberg, numbered 9/100, and dated 74 lower right; Embossed UNTITLED PRESS lower left; Co-published by Multiples Inc. and Castelli Graphics, New York; Size - Sheet: 30 x 22 1/4"; Unframed. "Understanding is a form of blindness. Good art, I think, can never be understood." - Robert Rauschenberg Milton Ernest "Robert" Rauschenberg (1925-2008) was an American painter and graphic artis

Proposal for a Civic Monument in the Form of Two Windows, 1982; Lithograph with water color on Arches Cover paper; Initialed CO and dated '82 in pencil bottom center and numbered 20/75 in pencil lower left; Published by Anthology Film Archives, NY; Printed by Maurice Sanchez, New York; Catalog Raisonne: Axsom & Platzker 179; Size - Sheet: 28" x 40", Unframed. Claes Oldenburg is an American sculptor living and working in New York and he is best known for his public art install

Van Heusen (Ronald Reagan) From Ads, 1985; Screenprint in colors on Lenox Museum Board; Signed Andy Warhol and numbered 190/190 in pencil lower right; Published by Ronald Feldman Fine Arts, Inc., NY; Size - Sheet 38" x 38", Frame 43 1/2" x 43 1/2"; Framed floated on a white mat, white wood exterior frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.356. "The neatest Christmas gift of all! You can twist it... You can twirl it... You can bend it... You can curl it.

Caned Dance, 1974; Lithograph on Arches paper; Signed B Nauman, numbered 9/100, and dated 74 lower right; Co-published by Multiples Inc. and Castelli Graphics, New York; Size - Sheet: 22 x 30"; Unframed. "I'm surprised when the work appears beautiful, and very pleased. And I think work can be very good and very successful without being able to call it beautiful, although I'm not clear about that. The work is good when it has a certain completeness, and when it's got a certain

Leo, 1998; Etching on Somerset Textured paper; Numbered LXI/XC, signed Richard Serra, and dated '98 lower right; Published by Noblet Serigraphie, Inc., New York; Size - Sheet 27 x 37"; Unframed. "Black is a property, not a quality... In terms of weight, black is heavier, creates a larger volume, holds itself in a more compressed field." - Richard Serra Richard Serra (b. 1938) is an American minimalist who was also involved in the Process Art Movement. He is also a video artis

Flash-November 22, 1963, 1968; Screenprint on wove paper, an unsigned proof apart from the signed edition of 200; Housed in original folder with a page of Teletype text; Published by Racolin Press, Inc., Briarcliff Manor, New York; Printed by Aetna Silkscreen Products, Inc., New York; Size - Sheet 21" x 21"; Catalog Raisonne: Feldman/Schellmann: II.42; Unframed. John F. Kennedy’s assassination on November 22, 1963 shocked the nation and sent a wave of mourning across the coun

Eric Emerson (Chelsea Girls), 1982; Screenprint in colors on Somerset Satin White Paper; Numbered H.C. 15/24 and signed Andy Warhol in pencil lower right; Published by Anthology Film Archives, New York; Printed by Porter-Wiener Studio, New York; Size - Sheet 30" x 22", Frame 39 1/2 x 34 3/4"; Catalog Raisonne: Feldman/Schellmann: II.287; Framed matted and floated on acid free mats, with a black wood exterior frame, and UV plexiglass. Eric Emerson was an American musician, dan

Lobster, 1982; Unique Serigaph on Lenox Museum Board; Printed by Rupert Jasen Smith, New York; Stamped authenticated on the verso lower right; Size - Sheet: 40" x 22"; Image 24" x 20"; Frame 49" x 31"; Catalogue Raisonne: Feldman/Schellmann: IIIA.30 Andy Warhol decided in 1972 to purchase (along with Paul Morrissey) a home in or around the Hamptons. He ended up purchasing a 20 acre compound, referred to as the Church estate, located on the tip of Montauk that had wonderful v

A Gold Book: Double Sided Two Plates; 1957; Offset lithographs with hand-coloring, on wove paper, a trial proof, presumably unique in this composition, the full sheet, printed on both sides of one sheet; Authenticated by the Andy Warhol Art Authentication Board and numbered PM20.0230; Framed with two linen acid free mats, two gold wood fillets, a hand carved and gilded wood frame, and UV conservation clear glass. In the 1950's Andy Warhol was a very successful and very sought