#Warhol

The Soap at Baton Rouge, 1990 by Claes Oldenburg

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The Soap at Baton Rouge, 1990 by Claes Oldenburg

The Soap at Baton Rouge, 1990; Cast polyurethane soap inscribed with initials, titled, and numbered 40/250 set on vinyl filled with aluminum silicon support with serigraph on acetate cover; Also includes deluxe edition of Claes Oldenburg: Multiples in Retrospect 1964-1990, Signed Oldenburg in pencil and numbered 40/250; Contained in cloth covered portfolio box; Published Carl Solway Gallery, Cincinnati; Catalog Raisonne: Platzker 23; Size - 13 1/2 x 20 1/4 x 1 1/2". Claes Old

Black Bean Campbell's Soup, 1968 by Andy Warhol

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Black Bean Campbell's Soup, 1968 by Andy Warhol

Black Bean Campbell's Soup; Serigraph, 1968, on smooth wove paper, signed in ball-point pen Andy Warhol and stamp-numbered 173/250 in ink verso; published by Factory Additions, New York; Size - Sheet 35" x 23", Frame 43 1/2" x 31 1/2"; Framed with an acid free white mat, white wood frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.44. Warhol said of Campbell’s soup, “I used to drink it. I used to have the same lunch every day, for 20 years, I guess, the sam

Diamond Dust Candy Box, 1981 by Andy Warhol

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Diamond Dust Candy Box, 1981 by Andy Warhol

Diamond Dust Candy Box, 1981; Synthetic polymer paint, diamond dust, and silkscreen ink on canvas; Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts stamps; Numbered VF PA13.005 on the overlap; Numbered twice 'PA13.005' on the overlap; Size - Canvas: 14 x 10", Frame 15 1/4 x 11 1/4"; Framed using a silver metal frame and plexiglass. "You take some chocolate... and you take two pieces of bread... and you put the candy in the middle and y

Self-Defense (Positive), circa 1985-1986 by Andy Warhol

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Self-Defense (Positive), circa 1985-1986 by Andy Warhol

Self-Defense (Positive), circa 1985-1986; Acrylic and silkscreen ink on canvas; Stamped three times with the Estate of Andy Warhol stamp; Stamped twice with the Andy Warhol Foundation for the Visual Arts stamp; Numbered twice 'PA10.432 VF' on the overlap; Numbered 'PA10.432 VF' on the stretcher; Size - Canvas: 20 x 16", Frame 22 x 18"; Framed using a black wood frame and plexiglass. "My fascination with letting images repeat and repeat - or in film's case 'run on' - manifests

Be A Somebody With A Body, 1985 by Andy Warhol

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Be A Somebody With A Body, 1985 by Andy Warhol

Be A Somebody With A Body, 1985; Acrylic and silkscreen ink on canvas; Dedicated, dated, and signed 'JOHN 85 Andy Warhol' verso on the overlap; Stamped with the Andy Warhol Art Authentication Board, Inc., stamp and numbered 'A122.0911' on the overlap; Size - Canvas: 8" x 10", Frame 14 3/4" x 18 3/4"; Framed using a black wood frame. "Muscles are great. Everybody should have at least one they can show off." - Andy Warhol In the 1970's Andy Warhol was aware of new trend emergin

Torso (Double), circa 1982 by Andy Warhol

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Torso (Double), circa 1982 by Andy Warhol

Torso (Double), circa 1982; Screenprint in colors on Saunders Waterford (Hot Pressed) paper; Andy Warhol Art Authentication Board Inc. stamp, The Estate of Andy Warhol stamp, and inscribed with unique authentication number in pencil on the reverse; Printer: Rupert Jasen Smith, NY; Size - Sheet 30 1/2" x 43"; Catalog Raisonne: Feldman/Schellmann: IIIA.35 [c]; Unframed. "We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions

"Cunningham Relief," 1974 by Robert Rauschenberg

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"Cunningham Relief," 1974 by Robert Rauschenberg

Cunningham Relief, 1974; Embossing with hand rubbed half-tone on Arches Buff paper; Signed Rauschenberg, numbered 9/100, and dated 74 lower right; Embossed UNTITLED PRESS lower left; Co-published by Multiples Inc. and Castelli Graphics, New York; Size - Sheet: 30 x 22 1/4"; Unframed. "Understanding is a form of blindness. Good art, I think, can never be understood." - Robert Rauschenberg Milton Ernest "Robert" Rauschenberg (1925-2008) was an American painter and graphic artis

Lithograph "Proposal for a Civic Monument in the Form of Two Windows," 1982 by Claes Oldenburg

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Lithograph "Proposal for a Civic Monument in the Form of Two Windows," 1982 by Claes Oldenburg

Proposal for a Civic Monument in the Form of Two Windows, 1982; Lithograph with water color on Arches Cover paper; Initialed CO and dated '82 in pencil bottom center and numbered 20/75 in pencil lower left; Published by Anthology Film Archives, NY; Printed by Maurice Sanchez, New York; Catalog Raisonne: Axsom & Platzker 179; Size - Sheet: 28" x 40", Unframed. Claes Oldenburg is an American sculptor living and working in New York and he is best known for his public art install

"Van Heusen (Ronald Reagan)" From Ads, 1985 by Andy Warhol

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"Van Heusen (Ronald Reagan)" From Ads, 1985 by Andy Warhol

Van Heusen (Ronald Reagan) From Ads, 1985; Screenprint in colors on Lenox Museum Board; Signed Andy Warhol and numbered 190/190 in pencil lower right; Published by Ronald Feldman Fine Arts, Inc., NY; Size - Sheet 38" x 38", Frame 43 1/2" x 43 1/2"; Framed floated on a white mat, white wood exterior frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.356. "The neatest Christmas gift of all! You can twist it... You can twirl it... You can bend it... You can curl it.

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Caned Dance, 1974 by Bruce Nauman

Caned Dance, 1974; Lithograph on Arches paper; Signed B Nauman, numbered 9/100, and dated 74 lower right; Co-published by Multiples Inc. and Castelli Graphics, New York; Size - Sheet: 22 x 30"; Unframed. "I'm surprised when the work appears beautiful, and very pleased. And I think work can be very good and very successful without being able to call it beautiful, although I'm not clear about that. The work is good when it has a certain completeness, and when it's got a certain

"Flash-November 22, 1963, 1968," by Andy Warhol (Feldman/Schellmann: II.42)

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"Flash-November 22, 1963, 1968," by Andy Warhol (Feldman/Schellmann: II.42)

Flash-November 22, 1963, 1968; Screenprint on wove paper, an unsigned proof apart from the signed edition of 200; Housed in original folder with a page of Teletype text; Published by Racolin Press, Inc., Briarcliff Manor, New York; Printed by Aetna Silkscreen Products, Inc., New York; Size - Sheet 21" x 21"; Catalog Raisonne: Feldman/Schellmann: II.42; Unframed. John F. Kennedy’s assassination on November 22, 1963 shocked the nation and sent a wave of mourning across the coun

"Eric Emerson (Chelsea Girls)," 1982 by Andy Warhol

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"Eric Emerson (Chelsea Girls)," 1982 by Andy Warhol

Eric Emerson (Chelsea Girls), 1982; Screenprint in colors on Somerset Satin White Paper; Numbered H.C. 15/24 and signed Andy Warhol in pencil lower right; Published by Anthology Film Archives, New York; Printed by Porter-Wiener Studio, New York; Size - Sheet 30" x 22", Frame 39 1/2 x 34 3/4"; Catalog Raisonne: Feldman/Schellmann: II.287; Framed matted and floated on acid free mats, with a black wood exterior frame, and UV plexiglass. Eric Emerson was an American musician, dan

Original Authenticated Graphite Drawing of "Miguel Bose," 1983 by Andy Warhol

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Original Authenticated Graphite Drawing of "Miguel Bose," 1983 by Andy Warhol

OMiguel Bose; 1983; Graphite on paper; With the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Arts' inkstamps and numbered 115.398 and D1277 on the reverse; Size - Sheet: 31 3/4" x 23 3/4"; Unframed. Miguel Bose was born in Panama into a very artistic and culturally diverse family. His father was Luis Miguel Dominguin, a famous Spanish bullfighter and his mother was Lucia Bose, an Italian actress. Miguel's godfather was Luchino Visco

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"Untitled," 1973 by Cy Twombly

Untitled, 1973; Lithograph and serigraph on mould made rag paper; Numbered 102/300, initialed C.T., and dated 73 in pencil lower edge verso; Stamped © Copyright 1973 By Cy Twombly Printed At Styria Studio in black ink, upper right verso; Published by Experiments in Art and Technology, Inc.; Catalog Raisonne: Bastian 38; Size - Sheet 12 x 9"; Unframed. "Each line is now the actual experience with its own innate history. It does not illustrate - it is the sensation of its own r

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Lobster by Andy Warhol

Lobster, 1982; Unique Serigaph on Lenox Museum Board; Printed by Rupert Jasen Smith, New York; Stamped authenticated on the verso lower right; Size - Sheet: 40" x 22"; Image 24" x 20"; Frame 49" x 31"; Catalogue Raisonne: Feldman/Schellmann: IIIA.30 Andy Warhol decided in 1972 to purchase (along with Paul Morrissey) a home in or around the Hamptons. He ended up purchasing a 20 acre compound, referred to as the Church estate, located on the tip of Montauk that had wonderful v

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Andy Warhol - Double-sided Watercolor

A Gold Book: Double Sided Two Plates; 1957; Offset lithographs with hand-coloring, on wove paper, a trial proof, presumably unique in this composition, the full sheet, printed on both sides of one sheet; Authenticated by the Andy Warhol Art Authentication Board and numbered PM20.0230; Framed with two linen acid free mats, two gold wood fillets, a hand carved and gilded wood frame, and UV conservation clear glass. In the 1950's Andy Warhol was a very successful and very sought

"Natural History Part I Mushrooms: No. VII," 1974 by Cy Twombly

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"Natural History Part I Mushrooms: No. VII," 1974 by Cy Twombly

Natural History Part I Mushrooms: No. VII, 1974; Lithograph, collotype in colors, collage, and hand-coloring on Rives Couronne paper; Numbered 94/98 and initialed C T in pencil lower right; Printer, © 1974, and VII stamps lower left; Published by Propyläen Verlag, Berlin; Catalog Raisonne: Bastian 48; Size - Sheet 30 x 22", Frame 38 x 30"; Framed floated with an acid free mat, cream wood exterior frame, and plexiglass. "Each line is now the actual experience with its own inna

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greg@untitledartgallery.com