#artist

I-S LXXa (Homage to the Square) by Josef Albers, 1970

Untitled Art Gallery

I-S LXXa (Homage to the Square) by Josef Albers, 1970

I-S LXXb (Homage to the Square), 1970; Serigraph on German etching paper; Titled and numbered 56/125 in pencil lower left; Signed and dated '70 in pencil lower right; Published by Ives-Sillman, Inc., New Haven; Blind stamped with publisher's mark lower right; Image size - 21 x 21", Frame 21 1/4 x 21 1/4"; Framed using a silver metal frame and UV conservation clear glass. "Every perception of color is an illusion, we do not see colors as they really are. In our perception they

La Primavera (Spring), 1988 by Sam Francis

Untitled Art Gallery

La Primavera (Spring), 1988 by Sam Francis

La Primavera (Spring), 1988; Etching and aquatint in colors on Fabriano paper; signed in pencil and numbered VII/X; Blindstamps of the publisher/printer, 2RC Edizioni d'Arte/Vigna Antoniniana Stamperia d'Arte, Rome; Size - 46 x 95", Frame 57 x 106"; Catalog Raisonne: Lembark I.98, SFE-070RC; Framed with a white high gloss wood frame, linen liner and UV plexiglass. "I prefer to think of colours in relationships to each other, rather than just one colour at a time." - Sam Fran

Joseph (From Men in the Cities), 2000 by Robert Longo

Untitled Art Gallery

Joseph (From Men in the Cities), 2000 by Robert Longo

Joseph (From Men in the Cities), 2000; Lithograph on Arches Cover Paper; Signed and dated in pencil lower right, Numbered 36/50 in pencil lower left; Published by Wolfryd-Selway Fine Art, West Hollywood; Size - Sheet 70 x 40", Frame 75 3/4 x 45 3/4"; Framed floated on white linen with a black wood exterior frame and plexiglass. "If you're fortunate enough with your history, like withe Men in the Cities, your work becomes so absorbed in culture that the authorship of it doesn'

Los Alamitos, from Race Track Series, 1972 by Frank Stella

Untitled Art Gallery

Los Alamitos, from Race Track Series, 1972 by Frank Stella

Los Alamitos, from Race Track Series, 1972; Screenprint on Gemini Rag Board; Numbered 12/75, signed Frank Stella and dated 72 in pencil lower right; Published by Gemini G.E.L., Los Angeles, with their blindstamp and inkstamp verso; Catalog Raisonne: Axsom 74, Gemini 378; Size - Image 15 x 75 1/4", Sheet 20 1/4 x 80", Frame 20 1/2 x 80 1/2"; Framed floated with a silver metal exterior frame and plexiglass. "I always get into arguments with people who want to retain the old val

Untitled Art Gallery

Special Assortment, 2004 by Peter Anton

Special Assortment, 2004; Mixed media sculpture with resin and acrylic; Titled, “Special Assortment," dated © 2004, and signed Peter Anton in black marker verso; Size - Box: 21 1/2 x 15 x 4 1/4". "I like to create art that can lure, charm, tease, disarm, and surprise... I have an innate reverence for the things we eat... Food brings people together and there is no better way to celebrate life... The sensual nature of the works stimulates basic human needs and desires

The Soap at Baton Rouge, 1990 by Claes Oldenburg

Untitled Art Gallery

The Soap at Baton Rouge, 1990 by Claes Oldenburg

The Soap at Baton Rouge, 1990; Cast polyurethane soap inscribed with initials, titled, and numbered 40/250 set on vinyl filled with aluminum silicon support with serigraph on acetate cover; Also includes deluxe edition of Claes Oldenburg: Multiples in Retrospect 1964-1990, Signed Oldenburg in pencil and numbered 40/250; Contained in cloth covered portfolio box; Published Carl Solway Gallery, Cincinnati; Catalog Raisonne: Platzker 23; Size - 13 1/2 x 20 1/4 x 1 1/2". Claes Old

Battle for Grown-Ups, 1969 by Gene Davis

Untitled Art Gallery

Battle for Grown-Ups, 1969 by Gene Davis

Battle for Grown-Ups from Series 2, 1969; Serigraph on canvas laminated on board; Signed Gene Davis in ink, lower right verso; Stamp titled with Petersburg Press and numbered 69/150 in ink verso lower left; Size - 31 x 20"; Unframed. "My whole approach is intuitive. Sometimes I simply use the color I have the most of and worry about getting out of trouble later. Perhaps I'm like the jazz musician who can't read music but plays by ear. I paint by eye." - Gene Davis Gene Davis

Blue/Black/Red/Green, 2001 by Ellsworth Kelly

Untitled Art Gallery

Blue/Black/Red/Green, 2001 by Ellsworth Kelly

Blue/Black/Red/Green, 2001; Lithograph on Lanaquarelle 640 gram paper; Numbered 26/45 and signed Kelly in pencil lower right; Published by Gemini G.E.L., Los Angeles; Publisher's blind stamp lower right; Catalog Raisonne: Axsom 293; Size - Sheet 25 x 88 3/4", Frame 29 x 93"; Framed with a white wood frame floated on an acid free white mat, and plexiglass. "I have worked to free shape from its ground, and then to work the shape so that it has a definite relationship to the spa

Cobalt Macchia with Huckleberry Lip Wrap, 2012 by Dale Chihuly

Untitled Art Gallery

Cobalt Macchia with Huckleberry Lip Wrap, 2012 by Dale Chihuly

Monumental Cobalt Macchia with Huckleberry Lip Wrap, 2012; Free blown, flared form with undulating rim, dappled with shades of green and yellow with a cobalt blue interior and huckleberry lip wrap; Engraved Chihuly 12; Provenance: Estate of Richard L. Weisman, Beverly Hills, CA; Size: 19 1/2 x 35 x 33 1/2". "My work, to this day revolves around a simple set of circumstances: fire, molten glass, human breath, spontaneity, centrifugal force, gravity." - Dale Chihuly Dale Chihu

Cerulean Blue Macchia with Violet Lip Wrap, 1986 by Dale Chihuly

Untitled Art Gallery

Cerulean Blue Macchia with Violet Lip Wrap, 1986 by Dale Chihuly

Monumental Cerulean Blue Macchia with Violet Lip Wrap, 1986

Untitled Art Gallery

"Untitled," 2009 by Kenneth Noland

Untitled, 2009; Etching and aquatint in colors, on wove paper; Signed with initials K N lower right and numbered 42/65 in pencil bottom left; Pace Editions, Inc., New York; Size - 35 1/4 x 35", Frame 38 1/2 x 38"; Framed floated on a white mat, white wood frame, & plexiglass. "I knew what a circle could do. Both eyes focus on it. It stamps itself out, like a dot. This, in turn, causes one's vision to spread, as in a mandala in Tantric art." - Kenneth Noland In October of 1952

UNTITLED ART GALLERY

Animation Artwork • Modern Art

(919) 906-7840

greg@untitledartgallery.com

(919) 906-7840

greg@untitledartgallery.com