UNTITLED ART GALLERY

The Soap at Baton Rouge, 1990; Cast polyurethane soap inscribed with initials, titled, and numbered 40/250 set on vinyl filled with aluminum silicon support with serigraph on acetate cover; Also includes deluxe edition of Claes Oldenburg: Multiples in Retrospect 1964-1990, Signed Oldenburg in pencil and numbered 40/250; Contained in cloth covered portfolio box; Published Carl Solway Gallery, Cincinnati; Catalog Raisonne: Platzker 23; Size - 13 1/2 x 20 1/4 x 1 1/2". Claes Old

Battle for Grown-Ups from Series 2, 1969; Serigraph on canvas laminated on board; Signed Gene Davis in ink, lower right verso; Stamp titled with Petersburg Press and numbered 69/150 in ink verso lower left; Size - 31 x 20"; Unframed. "My whole approach is intuitive. Sometimes I simply use the color I have the most of and worry about getting out of trouble later. Perhaps I'm like the jazz musician who can't read music but plays by ear. I paint by eye." - Gene Davis Gene Davis

Blue/Black/Red/Green, 2001; Lithograph on Lanaquarelle 640 gram paper; Numbered 26/45 and signed Kelly in pencil lower right; Published by Gemini G.E.L., Los Angeles; Publisher's blind stamp lower right; Catalog Raisonne: Axsom 293; Size - Sheet 25 x 88 3/4", Frame 29 x 93"; Framed with a white wood frame floated on an acid free white mat, and plexiglass. "I have worked to free shape from its ground, and then to work the shape so that it has a definite relationship to the spa

Black Bean Campbell's Soup; Serigraph, 1968, on smooth wove paper, signed in ball-point pen Andy Warhol and stamp-numbered 173/250 in ink verso; published by Factory Additions, New York; Size - Sheet 35" x 23", Frame 43 1/2" x 31 1/2"; Framed with an acid free white mat, white wood frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.44. Warhol said of Campbell’s soup, “I used to drink it. I used to have the same lunch every day, for 20 years, I guess, the sam

Monumental Cobalt Macchia with Huckleberry Lip Wrap, 2012; Free blown, flared form with undulating rim, dappled with shades of green and yellow with a cobalt blue interior and huckleberry lip wrap; Engraved Chihuly 12; Provenance: Estate of Richard L. Weisman, Beverly Hills, CA; Size: 19 1/2 x 35 x 33 1/2". "My work, to this day revolves around a simple set of circumstances: fire, molten glass, human breath, spontaneity, centrifugal force, gravity." - Dale Chihuly Dale Chihu

Original hand painted and hand inked production animation cels of Mickey Mouse, Magic Broom, and Water Effects from "The Sorcerer's Apprentice" sequence of "Fantasia," 1940, Walt Disney Studios; Set on an airbrushed Courvoisier background with the WDP stamp lower left; Partial Courvoisier label verso; Size - Mickey Mouse & Magic Broom: 4 1/4 x 5 1/4", Image 7 3/4 x 9"; Unframed. "Fantasia" is the third full length animated feature film produced by Walt Disney and released by

Original hand painted and hand inked production animation cel of Mickey Mouse from "The Sorcerer's Apprentice" sequence of "Fantasia," 1940, Walt Disney Studios; Set on an airbrushed Courvoisier background with the WDP stamp lower right; Numbered in ink lower right; Unframed. "Fantasia" is the third full length animated feature film produced by Walt Disney and released by Walt Disney Productions on November 13, 1940. Story direction was by Joe Grant and Dick Huemer and produc

Original hand inked and hand painted production animation cel of Cinderella wearing the ball gown from "Cinderella," 1950, Walt Disney Studios; Set on a lithographic background; Unframed. Fairy Godmother: "Yes, my child, but like all dreams, well, I'm afraid this can't last forever. You have only until midnight, and-" Cinderella: "Midnight? Oh, thank you-" Fairy Godmother: "Oh, now just a minute. You must understand, my dear: On the stroke of twelve, the spell will be broken,

Original hand painted and hand inked production animation cel of Mickey Mouse from "The Sorcerer's Apprentice" sequence of "Fantasia," 1940, Walt Disney Studios; Set on a lithographic background; Unframed. "Fantasia" is the third full length animated feature film produced by Walt Disney and released by Walt Disney Productions on November 13, 1940. Story direction was by Joe Grant and Dick Huemer and production supervision was by Ben Sharpsteen. The film consists of eight anim

Red Open with White Line, 1979; Etching and aquatint in red and black, on Georges Duchêne Hawthorne of Larroque handmade paper; Initialed in ink, numbered 46/56 lower left; Published by the artist, with his blindstamp lower right; Catalogue Raisonne: Belknap 207; Size - Sheet: 18 x 35 1/2", Frame 27 x 46"; Framed floated with an acid free mat, wood frame, and plexiglass; Exhibited: Williams College Museum of Art, Williamstown, MA - Museum of Fine Arts, Boston MA, May 5 - Oct

Original hand painted and hand inked production animation cels of Pinocchio, Geppetto, and Figaro from "Pinocchio," 1940, Walt Disney Studios; Set over the key master production background; Size - Pinocchio, Geppetto, & Figaro: 5 1/4 x 6 1/2", Image 11 x 14 3/4"; Unframed. Pinocchio: Oh look father, look! Geppetto: Wait! Stand still now. Pinocchio: What are those? Geppetto: Huh? Oh those! They are your schoolmates, girls and boys, now… Pinocchio: Real boys? "Pinocchio," 1940

Original hand painted and hand inked production animation cel of Mickey Mouse from "Puppy Love," 1933, Walt Disney Studios; Numbered 31 in ink lower right; Set on a lithographic background with lithograph overlay cel; Size - Mickey Mouse: 3 3/4 x 3", Image 6 1/4 x 8 1/4"; Unframed. "Puppy Love," released on September 2, 1933, is a black-and-white animated short film produced by Walt Disney Productions and directed by Wilfred Jackson. Walt Disney is the voice of Mickey Mouse a

Original hand painted and hand inked production animation cels of Snow White, Bashful, & Sneezy from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Set on their key master production background with production notes verso; Size - Snow White & Bashful: 6 3/4 x 7 1/2", Sneezy: 4 3/4 x 1 3/4", Background 9 1/2 x 16 1/2", Image 9 1/4 x 16 1/4", Unframed. “Lips red as the rose. Hair black as ebony. Skin white as snow.” ―The Magic Mirror describing Snow White Develop

Original hand painted production animation cels of Perdita, Lucky and another Puppy from "One Hundred and One Dalmatians," 1961, Walt Disney Studios; Set on a lithographic background; With original Art Corner Certificate sticker verso; Size - Perdita, Lucky, & Puppy: 5 x 7", Image: 9 1/2 x 12"; Unframed. "I'm tired and I'm hungry and my tail's froze...and my nose is froze and my ears are froze. And my toes are froze." - Lucky "One Hundred and One Dalmatians" ("101 Dalma

Original production animation drawing of Tramp in graphite, green, and red pencils from "Lady and the Tramp," 1955, Walt Disney Studios; Numbered 8 in pencil lower right; Size - Tramp: 4 3/4 x 3 1/2", Sheet 12 1/2 x 15 1/2"; Unframed. "Lady and the Tramp" (released on June 22, 1955) is a full length featured animated film produced by Walt Disney and released by Buena Vista Distribution. The film was the 15th in the Walt Disney Animated Classics series, and it was the first an

Original matching production animation drawings of Captain Hook in red, green, and graphite pencils and the Rope Ladder in graphite and blue pencils from "Peter Pan," 1953, Walt Disney Studios; Numbered 140 and A11 in pencil lower right; Production numbers stamp on the Captain Hook drawing lower left; Size - Captain Hook: 6 3/4 x 9 3/4", Rope Ladder: 4 x 15 1/2", Both sheets 12 1/2 x 15 1/2"; Unframed. "Ha ha ha, you wouldn’t dare fight old Hook man to man. You’d fly away lik

Eyvind Earle original concept painting of Prince Phillip and Samson from "Sleeping Beauty," 1959, Walt Disney Studios; Gouache on board; Signed Eyvind Earle lower right; Size - Concept Painting: 6 x 15"; Unframed. "I wanted stylized, simplified Gothic. Straight, tall, perpendicular lines like Gothic cathedrals... I used one-point perspective. I rearranged the bushes and trees in geometrical patterns. I made a medieval tapestry out of the surface wherever possible. All my fore

Original hand painted production animation cel of Merlin from "The Sword In The Stone," 1963, Walt Disney Studios; Set on a lithographic background; Numbered 121 in ink lower right; Size - Merlin: 7 3/4 x 5 3/4", Image 11 x 14 1/2"; Unframed. "The Sword in the Stone," 1963 is the 18th full length feature film produced by Walt Disney and it was released on December 25, 1963 by Buena Vista Distribution. The film was based on the novel of the same name, that was first published

Original hand painted production animation cels of Ariel, Barrel, and Special Effects from "The Little Mermaid," 1989, Walt Disney Studios; Set on a lithographic background; With Walt Disney Certificate; Disney seal upper right; Production numbers in ink lower right; Size - Ariel, Barrel, & Special Effects: 4 1/4 x 8 3/4", Image 9 1/2 x 13"; Unframed. "Don't worry, Ariel. We're gonna make it!" - Flounder "The Little Mermaid," is an American animated musical fantasy film and t

Original hand painted production animation cels of Ariel and Flotsam & Jetsam; Set on a lithographic background from "The Little Mermaid," 1989, Walt Disney Studios; Disney seal lower right; Production numbers in ink lower right; Size - Ariel and Flotsam & Jetsam: 8 1/4 x 12", Image 11 1/2 x 17"; Unframed. "Of course, I always was a girl with an eye for a bargain. The daughter of the great sea king is a very precious commodity." - Ursula "The Little Mermaid," is an American a